Jeff Koons Balloon Dog blue / Sculpture / edition 2300
Year: | 2002 |
Format: | 26,7 x 26,7 cm / 10.2 x 10.2 inch |
Material: | Porcelain, chrome coat |
Method: | Sculpture |
Edition: | 2300 |
Other: | Sculpture attached to plate. Fired signature of Jeff Koons and hand-written edition number on verso |
Jeff Koons – Balloon Dog Blue.
Year: | 2002 |
Format: | 26,7 x 26,7 cm / 10.2 x 10.2 inch |
Material: | Porcelain, chrome coat |
Method: | Sculpture |
Edition: | 2300 |
Other: | Sculpture attached to plate. Fired signature of Jeff Koons and hand-written edition number on verso |
Jeff Koons - Balloon Dog Blue.
Jeff Koons’ Balloon Dog (Blue) is one of the most iconic contemporary sculptures, celebrated for its bold interplay between high art and pop culture. The sculpture is part of Koons’ larger Celebration series, which reimagines everyday objects with a sense of wonder and childlike playfulness. Modeled after the familiar shape of a balloon animal, the Balloon Dog evokes a sense of nostalgia, reminding many of childhood parties and the simple joy of a balloon twisted into whimsical forms by a street performer. What sets Koons’ work apart, however, is the scale and material he uses to transform this playful object into something monumental and enduring.
The Balloon Dog (Blue), while mimicking the light, fragile appearance of an inflated balloon, is actually crafted from stainless steel with a mirror-polished finish, giving it an industrial strength that contrasts sharply with the softness of its inspiration. Its reflective surface allows the viewer to see themselves and their surroundings in its shiny curves, drawing them into a more interactive and contemplative experience with the artwork. The vibrant blue color adds a sense of energy and brightness, making it feel playful, but also sophisticated.
In some editions, Balloon Dog (Blue) is mounted on a silver porcelain plate, which adds another layer of contrast and complexity to the piece. Porcelain, often associated with fine dining and high-class interiors, elevates the playful balloon animal to the realm of luxury and prestige. At the same time, the use of porcelain for a mounting plate, an object often treated with care due to its fragility, juxtaposes the perceived delicacy of the material with the robustness of the stainless steel dog. This combination of materials invites viewers to reconsider their assumptions about what is valuable, permanent, or worthy of admiration in art.
Koons’ Balloon Dog is often seen as a reflection of the artist’s fascination with consumerism, mass production, and the art market. By taking a simple, universally recognizable form and transforming it into a highly polished, large-scale sculpture, Koons blurs the line between kitsch and fine art, while also commenting on the nature of fame and material wealth. The shiny surface acts as a metaphor for the way contemporary society is drawn to the allure of superficial beauty and luxury, all while reflecting back the viewers and their surroundings, implicating them in the experience.
At its core, Balloon Dog (Blue), mounted on its silver porcelain plate, plays with contrasts—between fragility and strength, the playful and the serious, the everyday and the extraordinary. It exemplifies Jeff Koons’ ability to engage the viewer in a dialogue about art, culture, and perception, while making us reflect on our relationship with objects and the meanings we project onto them.
Between art and kitsch
Born in Philadelphia in 1955, Koons wanted one thing above all: to become rich and famous. After studying art, he worked at the Museum of Modern Art and as a broker in New York for a few years starting in 1976, so that he could finance his works himself. Soon he created the first of his legendary Balloon Animals, and the shooting star of Neo-Pop Art was on the rise. The colorful 1980s came just at the right time for Koons, who cites Marcel Duchamps, Salvador Dalí, Pablo Picasso, and of course Andy Warhol as the most important artists who inspired him. In his works, Jeff Koons processes everyday objects that often have a strong connection to childhood. He imitates them, alienates them, exaggerates them, sexualizes them, or groups them with advertisements, photographs, or comics to create large-scale collages. Since the auction of the stainless steel sculpture Rabbit in 2019, Jeff Koons is again the most expensive living artist.
Year: 2002
Format: 26,7 x 26,7 cm / 10.2 x 10.2 inch
Material:Porcelain, chrome coat
Method:Sculpture
Edition:2300
Other:Sculpture attached to plate. Fired signature of Jeff Koons and hand-written edition number on verso