David Hockney My Window iPad Drawing 610 / Inkjet print / signed, numbered/ edition 250

Ipad Drawing My Window. No. 610 – Do remember they can’t cancel the spring.

Year: 2019
Format: 43.2 x 56 cm / 17 x 22 inch
Material: Cotton rag archival paper
Method: Inkjet print
Edition: 250
Other: Hand-signed, numbered

David Hockney My Window iPad Drawing 610, Tintendruck, signiert, nummeriert, Auflage 250

David Hockney My Window iPad Drawing 610 / Inkjet print / signed, numbered/ edition 250

Ipad Drawing My Window. No. 610 – Do remember they can’t cancel the spring.

Year: 2019
Format: 43.2 x 56 cm / 17 x 22 inch
Material: Cotton rag archival paper
Method: Inkjet print
Edition: 250
Other: Hand-signed, numbered

Hockney created the iPhone and iPad drawings between 2009 and 2012 from his bedroom window in Bridlington, East Yorkshire. "From about April to August, when the sun is in the north, it would wake me up at about 4:30 in the morning if I didn't close the curtains or lower the blinds," he writes. "I never thought I would see the sunrise without the iPhone."

David Hockney – My Window iPad Drawing 610.

Year: 2019
Format: 43.2 x 56 cm / 17 x 22 inch
Material: Cotton rag archival paper
Method: Inkjet print
Edition: 250
Other: Hand-signed, numbered

iPad Drawing My Window. No. 610 - Do remember they can’t cancel the spring

David Hockney follows the course of the seasons through the window of his house in Yorkshire. The viewer experiences the passage of time through the eyes of David Hockney and the use of his iPad to create the drawings. The artist has said several times that he hopes that when people see his iPad drawings, they will enjoy them. In 2009, the artist started drawing with his thumbs on his iPhone. The following year, when the iPad came out, he included drawing with a stylus pen. “This medium had a big advantage because it is backlit and I could draw in the dark. I never had to get out of bed,” Hockney writes.

David Hockney’s exploration of iPad drawings marks a significant chapter in his artistic journey, blending traditional artistry with modern technology. Beginning in 2009 with his iPhone and transitioning to the iPad in 2010, Hockney embraced digital tools to capture the world around him with immediacy and vibrancy. Utilizing apps like Brushes, he created works directly on the screen, often using his fingers or a stylus, allowing for a tactile and spontaneous creative process .

One of his notable series, “My Window,” comprises digital drawings depicting the view from his bedroom in East Yorkshire between 2009 and 2012. These works reflect his fascination with the changing seasons and the subtle shifts in light and color, offering a personal glimpse into his daily observations .

Hockney’s iPad creations have been showcased in various exhibitions worldwide. The “David Hockney: Fleurs Fraîches” exhibition in Paris displayed over 300 of his digital paintings, highlighting his innovative use of technology to produce vibrant floral compositions . Similarly, the Royal Academy of Arts in London featured his iPad works in the “A Bigger Picture” exhibition, emphasizing his digital interpretations of the Yorkshire landscape .

Beyond exhibitions, Hockney’s digital art has made its way into the art market. Limited edition prints of his iPad drawings have been sold through galleries and auction houses, with collectors appreciating the blend of traditional subject matter and contemporary medium .

Hockney’s venture into iPad drawings underscores his continual evolution as an artist, demonstrating that embracing new tools can lead to fresh perspectives and creative breakthroughs. His work serves as an inspiration for artists exploring the intersection of art and technology.

David Hockney’s engagement with digital technology, particularly through his iPad drawings, represents a significant evolution in his artistic practice, blending traditional themes with contemporary tools. Beginning in 2009 with his iPhone and transitioning to the iPad in 2010, Hockney embraced the immediacy and versatility of digital media to capture everyday scenes with fresh vibrancy. Utilizing applications like Brushes and later Brushes Redux, he created works directly on the screen, often using his fingers or a stylus, allowing for a tactile and spontaneous creative process .

One of his notable series, “My Window,” comprises digital drawings depicting the view from his bedroom in East Yorkshire between 2009 and 2012. These works reflect his fascination with the changing seasons and the subtle shifts in light and color, offering a personal glimpse into his daily observations. Similarly, “The Arrival of Spring in Woldgate” series captures the transformation of the Yorkshire landscape, showcasing Hockney’s ability to depict nature’s dynamism through digital means .

Hockney’s iPad creations have been showcased in various exhibitions worldwide. The “David Hockney: A Bigger Picture” exhibition at the Royal Academy of Arts in London in 2012 featured a significant display of his iPad works, highlighting their importance in his oeuvre . More recently, the “David Hockney 25” exhibition at the Fondation Louis Vuitton in Paris, running from April to August 2025, presents over 400 of his works, including digital art created on iPads and iPhones, emphasizing his continuous innovation across media .

Beyond exhibitions, Hockney’s digital art has made its way into the art market. Limited edition prints of his iPad drawings have been sold through galleries and auction houses, with collectors appreciating the blend of traditional subject matter and contemporary medium. For instance, prints from “The Yosemite Suite” and “The Arrival of Spring in Woldgate” have fetched significant sums at auctions, reflecting the market’s recognition of the value of his digital works .

Hockney’s venture into iPad drawings underscores his continual evolution as an artist, demonstrating that embracing new tools can lead to fresh perspectives and creative breakthroughs. His work serves as an inspiration for artists exploring the intersection of art and technology, illustrating that digital mediums can offer new avenues for expression while maintaining the depth and emotional resonance of traditional art forms.

Ihr Ansprechpartner
Frank Fluegel
E-Mail: info(at)frankfluegel.com
Ihr Ansprechpartner
Frank Fluegel
E-Mail: info(at)frankfluegel.com
David Hockney My Window iPad Drawing 610 / Inkjet print / signed, numbered/ edition 250


Year: 2019
Format: 43.2 x 56 cm / 17 x 22 inch
Material:Cotton rag archival paper
Method:Inkjet print
Edition:250
Other:Hand-signed, numbered
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