Flowers (Black and White) 100 by Andy Warhol is part of a portfolio consisting of ten silkscreen prints based on images from a wallpaper catalog titled Interpretive Flower Designs. In 1974, Warhol produced two portfolios of floral prints, including Flowers (Black and White) and Flowers (Hand-Colored). Similar to Warhol’s work from the 1950s, these portfolios use his signature hand-drawn look to create these series. Flowers (Black and White) contains the same images as the Flowers (Hand-Colored) portfolio, but the images are in black and white to emphasize line and composition. Flowers (Black and White) 100 by Andy Warhol as part of his body of work Andy Warhol continued to use flower imagery as a theme throughout his career in almost every medium. Compared to Warhol’s 1970 series of flowers, the hand-drawn quality of Flowers (Black and White) 100 is more delicate and thematically different than many of his other subjects, showing Warhol’s ability to incorporate and experiment with different methods. Comparing this portfolio to his other silkscreens, which are characterized by thick, machine-printed lines and bright colors that intentionally hide the artist’s influence, these prints are more reflective of Warhol’s personal touch and seem less like the product of a printing press.Flowers (Black and White) 100 by Andy Warhol is part of a portfolio consisting of ten silkscreens based on images from a wallpaper catalog titled Interpretive Flower Designs. In 1974, Warhol produced two portfolios of floral prints, including Flowers (Black and White) and Flowers (Hand-Colored). Similar to Warhol’s work from the 1950s, these portfolios use his signature hand-drawn look to create these series. Flowers (Black and White) contains the same images as the Flowers (Hand-Colored) portfolio, but the images are in black and white to emphasize line and composition. Flowers (Black and White) 100 by Andy Warhol as part of his body of work Andy Warhol continued to use flower imagery as a theme throughout his career in almost every medium. Compared to Warhol’s 1970 series of flowers, the hand-drawn quality of Flowers (Black and White) 100 is more delicate and thematically different than many of his other subjects, showing Warhol’s ability to incorporate and experiment with different methods. Comparing this portfolio to his other silkscreens, which are characterized by thick, machine-printed lines and bright colors that intentionally hide the artist’s influence, these prints are more reflective of Warhol’s personal touch and seem less like the product of a printing press.

There is a popular anecdote about Andy Warhol’s eating habits that suggests he often ordered two meals at restaurants. While it is difficult to verify the absolute truth behind this claim, it is widely believed that Warhol had peculiar eating habits, and the notion of him purchasing multiple meals at once has become part of his legend.

Warhol was known for his unique approach to art and life, which often included unconventional behaviors and routines. He was famous for his love of food and dining out, and it is said that he enjoyed exploring different restaurants and trying various dishes. According to some accounts, he would order two meals during his visits to restaurants—one to eat and enjoy, and the other to take home or share with a friend.

The idea of buying two meals might have been a reflection of Warhol’s interest in consumer culture and the repetition of everyday objects, as well as his fondness for collecting and preserving items. It is worth noting that Warhol’s art frequently incorporated themes of repetition and seriality.

While there is no concrete evidence to confirm that Warhol always bought two meals, the story has become part of the mythology surrounding his persona. It is one of the many idiosyncrasies that have contributed to his reputation as a unique and enigmatic figure in the art world.