
Andy Warhol Dollar Sign / Screenprint / signed, numbered / edition 60
Year: | 1982 |
Format: | 50.5 x 40 cm / 19.9 x 15.7 inch |
Material: | Lenox Museum Board |
Method: | Screenprint |
Edition: | 60 + 15 TP |
Other: | signed, numbered |
Single Dollar Sign is a silkscreen print from a series of six different dollar signs created by Andy Warhol in 1982.
Andy Warhol – Dollar Sign.

Year: | 1982 |
Format: | 50.5 x 40 cm / 19.9 x 15.7 inch |
Material: | Lenox Museum Board |
Method: | Screenprint |
Edition: | 60 + 15 TP |
Other: | signed, numbered |
Andy Warhol - Single Dollar Sign.
Although the dollar sign in Warhol’s Dollar Sign series is relatively simple, his use of complementary colors and contrasts creates a successful composition. Warhol repeated this vibrant arrangement in different colors six times for each of the prints. In addition, he created 15 TP copies, known as trial proofs. The dollar signs are all printed in different colors, giving each one a unique character. Unlike many of his other series, Warhol created the source material for this portfolio himself. The entire series consists of several variations of Warhol’s sketched dollar design, printed in bold colors on Lenox Museum Board.
This series represents Andy Warhol’s fascination with money and wealth. In “The Philosophy of Andy Warhol,” he once wrote: “I like money on the wall. Suppose you wanted to buy a painting for $200,000. I think you should take that money, tie it up, and hang it on the wall. Then when someone comes to visit, the first thing they see is the money on the wall.” With the creation of his dollar sign portfolio, Warhol literally hung money on the wall and invited the viewer to reflect on the reality of art as a valuable commodity.
Andy Warhol once said, “Making money is art, working is art, and doing good business is the best art.” This quote reflects his belief that business and art are interconnected and equally important creative endeavors. He also said, “Business art is the step that follows art,” suggesting that the commercial aspects of art are essential to its success.
Warhol is known for his fascination with consumer culture and capitalism. This is evident throughout his work, from commercial objects to advertising to the dollar itself. Warhol even produced his prints on an assembly line, similar to the post-war period. He called his studio “The Factory” and strove to produce art on an unprecedented commercial scale. As a result, Warhol published a huge amount of artwork and limited edition prints.
No other series reflects mass identity, luxury, and wealth as clearly as Andy Warhol’s Dollar Sign Portfolios from 1982. The prints in this series are recognizable by their repeated depiction of the American dollar sign in bright neon colors. Each repetition of the image presents vivid colors to enhance the visual impact of the currency symbol. The source image for this series was created by Andy Warhol himself, as he could not find a finished image of the dollar sign that achieved the same dramatic effect. To do this, he returned to his roots as a draftsman and created the large dollar signs by hand. In essence, he created a Warholian currency that was also unique to his artistic identity.
Andy Warhol’s dollar sign portfolio includes some of his most notable works. Like his Coca-Cola and Campbell’s soup cans, the dollar sign series reflects our society’s obsession with wealth and consumption. Warhol once said, “Great art is big money,” confirming his role as a commercial artist and his love of money. In addition to the six individual Single Dollar Signs, he also created silkscreen prints with four and nine dollar signs on each sheet. Of course, there are also several silkscreen prints and paintings on canvas. A remarkable Andy Warhol exhibition featuring the dollar signs took place in 2004 in New York at the Van De Weghe Gallery, which exhibited several large-format dollar paintings for the first time.
Money has been a popular theme in Warhol’s work since the 1950s, when he first drew a tree with money growing from its branches. In the 1960s, Warhol created a series of prints depicting the dollar bill. This fascination culminated in the 1980s with Dollar Sign, a self-assured statement of the power and significance of money. In the same year, Warhol also completed Dollar Sign (Quadrant) and Dollar Sign (9). Dollar Sign was first shown in 1982 at the Castelli Gallery in New York City. Warhol wrote about his experiences at the opening in his diary. “Another big opening for me—a double one—Dollar Signs at the Castelli Gallery on Greene Street and Reversals at the Castelli Gallery on West Broadway… it was like a busy day in the sixties.” With its bright color palette and commercially inspired theme, Dollar Sign 275 is a perfect example of Warhol’s signature style. He took the unmistakable currency symbol and transformed it into a typical Warhol composition. The images are now part of modern art history and show Warhol at his most ironic. The US dollar is not only the most important reserve currency in the world, but is also equated with prosperity, success, and wealth in many countries. Art has also been following the path of money for much longer, which is why, in addition to Asia, the United Arab Emirates is now increasingly making a name for itself with world-class museums in Dubai, Qatar, and Abu Dhabi.


Year: 1982
Format: 50.5 x 40 cm / 19.9 x 15.7 inch
Material:Lenox Museum Board
Method:Screenprint
Edition:60 + 15 TP
Other:signed, numbered