


Hunt Slonem Butterflies Morning Cloak Flight / Oil on wood / signed / unique
Butterflies Morning Cloak Flight displays coloured butterflies on a structured pastel-colored background. As many works of Slonem, this one comes with a frame chosen by the artist. It is simple and black, with traces of use.
Year: | 2024 |
Format: | 122 x 91,44 cm / 48 x 35.8 inch |
Material: | Canvas, in black frame |
Method: | Oil painting |
Edition: | unique |
Other: | signed, dated, titled verso |
Hunt Slonem Butterflies Morning Cloak Flight / Oil on wood / signed / unique
Butterflies Morning Cloak Flight displays coloured butterflies on a structured pastel-colored background. As many works of Slonem, this one comes with a frame chosen by the artist. It is simple and black, with traces of use.
Year: | 2024 |
Format: | 122 x 91,44 cm / 48 x 35.8 inch |
Material: | Canvas, in black frame |
Method: | Oil painting |
Edition: | unique |
Other: | signed, dated, titled verso |
Hunt Slonem is best known for his neo-expressionist paintings of bunnies, butterflies and tropical birds. The colorful paintings are usually set in extraordinary frames that complete the artwork.
Hunt Slonem – Butterflies Morning Cloak Flight.

Year: | 2024 |
Format: | 122 x 91,44 cm / 48 x 35.8 inch |
Material: | Canvas, in black frame |
Method: | Oil painting |
Edition: | unique |
Other: | signed, dated, titled verso |
Hunt Slonem - Butterflies Morning Cloak Flight.
Hunt Slonem Butterflies Morning Cloak Flight is a painting by US-american Artist Hunt Slonem. It shows coloured butterflies on a pastel-colored background. It is an elegance in flight: Hunt Slonem’s Gilded Ballet of Butterflies.
Hunt Slonem, celebrated for his profound connection to the natural world, invites us into a mesmerizing realm where grace and beauty converge in his masterpiece, a vision of white butterflies fluttering gracefully against a sumptuous golden backdrop.
The canvas emanates an opulent aura, its pastel-colored expanse glistening with an ethereal sheen. This radiant background serves as a testament to Slonem’s artistry, conjuring a sense of timelessness and transcendence. The golden hue, symbolizing wealth, power, and illumination, elevates the entire composition, making it feel as if these butterflies are dancing within a sacred space.
At the heart of this composition are the coloured butterflies, their delicate forms seemingly weightless as they take flight. Slonem’s keen attention to detail is evident in the intricate patterns of their wings, each one unique and adorned with mesmerizing markings. These butterflies are rendered with exquisite precision, showcasing the artist’s deep reverence for the beauty and intricacy of the natural world.
The choice of butterflies against the pastel-colored backdrop is a study in contrast. The purity and simplicity of white are set against the richness and opulence of gold, creating a striking visual dialogue. This juxtaposition draws the viewer into a world of duality, where the ephemeral meets the eternal, and the ethereal dances with the material.
The butterflies appear to be engaged in an elegant ballet, their wings unfurling and folding with graceful precision. This choreography of movement is conveyed through Slonem’s masterful brushwork, which captures the essence of these delicate creatures in mid-flight. Their flight is not random but seems to follow a harmonious rhythm, a testament to the artist’s deep understanding of the natural world.
Through “Butterflies Morning Cloak Flight,” Hunt Slonem beckons us to contemplate the beauty and fragility of life. The butterflies symbolize purity, transformation, and rebirth, while the golden background reminds us of the eternal and the enduring. This painting transcends mere visual artistry; it becomes a meditation on the interconnectedness of all things, a celebration of life’s exquisite beauty.
In the delicate wings of butterflies against the radiant embrace of pastel, Hunt Slonem captures a moment of profound serenity and enchantment. It is an invitation to pause, reflect, and immerse ourselves in the splendor of the natural world—a timeless testament to the artist’s ability to evoke wonder and awe through his extraordinary talent and profound connection to the world around us.
Hunt Slonem – Repetition as a homage to Warhol
Hunt Slonem was born in Maine, USA in 1951. His father was in the Navy, so the family moved often. Slonem has lived in Hawaii, Virginia, Connecticut, California, Washington State and Nicaragua, among other places.
He graduated from Tulane University in New Orleans with a Bachelor of Arts degree in painting and Art History. He also took couses at the Skowhegan School of Painting and Sculpture in Maine, where he studied and met influential artists from the New York area, such as Louise Nevelson, Alex Katz, Alice Neel, Richard Estes, Jack Levine and Al Held. Slonem refers to Alex Katz in particular as a big mentor and friend.
Another important artist for Slonem is Andy Warhol. He says that the repetition in Warhol’s work had a lasting influence on him, especially the Campbell’s soup cans and the portrait of Marilyn Monroe. With repeating a motif in his work again and again, such as the bunny, Slonem makes a reference to Andy Worhol. It’s like with prayer, so the artist. For him, repetition is a form of worship. In 1973 Slonem moved to New York, where he has lived and worked ever since.


Year: 2024
Format: 122 x 91,44 cm / 48 x 35.8 inch
Material:Canvas, in black frame
Method:Oil painting
Edition:unique
Other:signed, dated, titled verso